How America’s Playwrights Saved the Tony Awards / by David Hwang

Tony Kushner, the Pulitzer-winning playwright of “Angels in America,” and Lisa Kron, the Tony-winning librettist and lyricist of “Fun Home,” are among many Broadway artists who also work in film and television and have joined picketing screenwriters in New York. Credit...Stephen Lovekin/Shutterstock

The screenwriters’ strike threatened next month’s broadcast, a key marketing moment for the fragile theater industry. That’s when leading dramatists sprang into action.

Martyna Majok, a Pulitzer Prize-winning playwright, was revising her musical adaptation of “The Great Gatsby” after a long day in a developmental workshop when she heard the news: The union representing striking screenwriters was not going to grant a waiver for the Tony Awards, imperiling this year’s telecast.

So at three in the morning, she set aside her script to join a group of playwrights frantically writing emails and making phone calls to leaders of the Writers Guild of America, urging the union not to make the pandemic-hobbled theater industry collateral damage in a Hollywood dispute. “I had to try,” she said.

Surprising even themselves, the army of artists succeeded. The screenwriters’ union agreed to a compromise: it said it would not picket the ceremony as long as the show does not rely on a written script.

Tony Kushner and a number of acclaimed dramatists — including David Henry Hwang and Jeremy O. Harris — who spent a weekend phoning and emailing union leaders. At least a half-dozen Pulitzer winners joined the cause, including Lynn Nottage (“Sweat” and “Ruined”), Quiara Alegría Hudes (“Water by the Spoonful”), David Lindsay-Abaire (“Rabbit Hole”), Donald Margulies (“Dinner with Friends”) and Majok (“Cost of Living”).

Read more at the New York Times