In this excerpt from a new journal by theatre artists, the author recounts how she confronted racism in a loved one with more love.
The Flashpaper: Theatre’s Thoughts on Right Now is a new, print-only journal that lets theatre artists respond to urgent current events in any genre they choose. In the first issue, available now at TheFlashpaper.com, a dozen contributors have replied to the prompt, “What will it be like when social distancing ends?” with everything from original plays and manifestos to photo essays and hand-drawn comics. The point is to give theatremakers a platform that doesn’t require a theatre, while delivering a physical object to audiences.
Crucially, The Flashpaper is also a revenue source for artists. All proceeds go to the contributors, the journal’s two self-employed staffers, and the nonprofit Indie Theater Fund. Issue 1 features work from Clare Barron, the National Asian American Theatre Company, and the Living Theatre, among others. It includes a foreword from David Henry Hwang and an afterword from Sarah Treem. It also features the following essay from Kelley Nicole Girod, who is both a playwright and the founder of the Obie-winning The Fire This Time Festival. Below, in an online-exclusive sample, Girod explores how social distancing, racial justice, family, and forgiveness have intersected in her life during quarantine.