Jin Ha Is A Breakout Broadway Star

Sam Boyd's anthology rom-com series Love Life is one of several original series debuting on HBO Max, and Season 1 centers on the many loves of Anna Kendrick's Darby. Darby's first major (and thus, doomed) relationship is with Augie Jeong, a witty reporter she meets at karaoke. Love Life's Augie is played by Jin Ha, a Broadway performer who you may also recognize as Jamie from FX's mind-bending Devs. Here's everything you need to know about the Love Life star.

According to Jin Ha's website, Ha is a Korean-American actor and a graduate of the NYU Tisch School of the Arts MFA Acting program. Per NBC News, Ha originally intended on pursuing a career in finance, but he pivoted after acknowledging that acting was his true passion. After graduation, Ha hit the theater circuit, notably playing Aaron Burr in the Chicago company of Hamilton in 2017. He was also the understudy for King George.

He then performed as Song Liling in the 2017 Broadway revival of David Henry Hwang’s M. Butterfly. (B.D. Wong, who originally played the role, won a Tony for his performance in 1988.) Unlike the problematic Madam Butterfly, which ends with the Japanese protagonist committing suicide because her white lover abandons her, M. Butterfly is based on a true story of a French diplomat who falls in love with a man masquerading as a female Chinese opera singer.

Read more at Bustle

This 30-Year-Old Play About Gender And Asian Identity Is More Relevant Than Ever

Jin Ha as Song Liling. Photo by Matthew Murphy.

When M. Butterfly premiered on Broadway in 1988, audiences were stunned to discover that the central character, Song Liling, was actually a man. Nearly 30 years later, as the revival runs at the Cort Theatre, the cat is out of the bag.

The story of M. Butterfly, which won three Tony Awards including Best Play, is now more well known than the real-life story it was based on — the affair between French diplomat Bernard Boursicot and Peking opera singer Shi Pei Pu. The culture has also progressed, and with it our language and sensitivity surrounding gender identity: The reveal of a character’s gender as a surprise twist, once a feature of M. Butterfly, now seems like a dangerously regressive relic.

That’s something playwright David Henry Hwang was well-aware of when he set about revising his play for a new production directed by Julie Taymor. In revisiting his seminal work, Hwang undertook a heavy rewrite, one in which Song’s gender is addressed early on — and the themes of toxic masculinity and Asian gender stereotypes are as clear as ever.

Read the full story at Buzzfeed.